Disclosure sold out The Fillmore on Saturday night, but the music was hardly close to over after their live show at the iconic venue came to an end. To keep the party going through the night, Grand Central held the official Disclosure after party with special guest Samo Sound Boy, which sold out as well. The night was an intimate and sultry adventure that packed Grand Central to the brims and gave a listen into Disclosure’s musical discourse.
There was already a good amount of people at the venue when I arrived. Different groups scattered the floor; some were at the bar, some were on the dance floor and some lingered on the couches and in the shadows of the dark corners. Santiago Caballero was able to get the crowd going with some disco, deep house and even some electro house.
One of Grand Central’s greatest features is the back patio. Not many clubs have an outdoor area, and Grand Central perfects this space with the booths, bar, pool table and ample standing room. Other groups gathered outside for the more intimate space, but it wasn’t long before they quickly ushered in as soon as the faint sounds of Disclosure seeped to the patio.
Fresh off their newest release, a rework of “F for You” featuring Mary J. Blige, and the release of the music video for “Grab Her,” the anticipation and expectations for this performance were so high that it would’ve become overrated if the duo wasn’t so talented.
They played most of their debut album Settle throughout the night, and every time they dropped a popular song, the crowd went crazy. They also played a remix of “Renegade Master” that enjoyably, but strangely transitioned into a remixed version of “Latch.” Todd Terje‘s “Inspector Norse” was a nice surprise. What was interesting about Disclosure’s hour-and-a-half set was the select unidentifiable tracks. I found myself wondering what was coming through the speakers multiple times and not even Shazam could tell me what it was.
Looking around, the audience was young and full of energy. I was surprised by how many people were two-stepping. The dance floor stayed packed for the entirety of the set, and it was refreshing to see a Miami crowd so heavily invested into the music, even if they didn’t appreciate the lesser-known songs that were played.
While I believe that the two brothers are musical geniuses, I also think that their specialties thrive in their live shows where they are able to display their talents to the fullest. This is not to say their DJ sets are not good, but that they are not as emotional and intricate as the live version. I’ve been impressed every time I’ve seen Disclosure. They are talented regardless if they are playing live or not. I believe that if they put as much work into their DJ set as they did for their live show, they would be even more appreciated than they are today.
via Bionic Beatlab